Books and roses oyeyemi analysis
NPR Choice pageBy Shana E. Hadi on April 18, To great effect, Oyeyemi explores and broaches the boundaries of traditional narrative expectations, balancing fantasy and the surreal over a precarious slope. All nine of her standalone short stories are tied loosely with the motifs of locks and keys and recurring characters, and each piece dazzles and dazes. Perhaps most strikingly, Oyeyemi challenges the idea that readers are entitled to certain truths or traditional logical structures of meaning within stories.
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Leave a Reply Cancel reply Enter your comment here I don't want to judge the book on only one story, but felt the piece had many narrative threads that were just dropped. US Politics? Beautiful writing, but it doesn't bode well for me since I believe this is a collection of related themes.
The short stories in this collection are inherently weird, appearing in various ways in each story, deeply moving. Keys are the connective tissue of the collection. About Helen Oyeyemi. The story ended rather abruptly for me.
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The stories build mystical allure by means of recurrent motifs, especially keys and locks, as well as an allusive structure of stories-within-stories. The story of Montse, an abandoned baby bearing a golden key, intertwines with that of the beautiful thief Lucy, whose lover also sends her a key, and the twin narratives dance around each other until merging in a romantic climax. Oyeyemi plays with a legend in which lovers exchange books and roses on a particular day; correspondingly, the bequest of a whole library and a meeting in a garden of roses suggest a supremely great love. As far as style goes, there are plenty of enjoyable moments. Such plots employ heavy whimsy, and surreal quirkiness abounds at the cost of emotional impact; in the abundance of puzzling narrative detail, disjointed elements and randomly recurring characters, the stories challenge the head more than engage the heart. Amid the Russian-doll narratives, strange characters end up seeming psychologically unconvincing and, as a result, unaffecting: brightly painted but, like the puppets, wooden.